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Wednesday, March 13 • 2:00pm - 3:00pm
Music Metadata Means More Money for Musicians

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Music recognition technology has been with us for around for a decade. We can use a cell phone to identify a track in a few seconds. We know that digital fingerprinting technology is powerful and has many potential uses. We also know that broadcasters and media organizations have an obligation to report their music use to performing rights organizations and rights owners so that royalties can be paid. If the technology is so efficient and effective, why is it not being employed more widely?
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avatar for Peter Bradbury

Peter Bradbury

Head of MusicSkyPeter's first career was as a songwriter and performer in the 1990’s. He lives in London and has worked in the UK broadcasting industry for the last 18 years specialising in music rights. His career has included ITV television and the BBC where he was responsible... Read More →
avatar for Mark Flashman

Mark Flashman

Operations MgrBBC World ServiceUntil recently Mark was the Operations Manager at the BBC World Service, responsible for the delivery of English audio content and associated data to a weekly audience of over 38 million around the world through multiple broadcast channels and IP pl... Read More →
avatar for Mark Gordon

Mark Gordon

CEOScore Draw MusicMark Gordon runs Score Draw Music, which for 10 years has been supplying music for visual media to an expanding range of global clients. He has worked across drama, documentary, factual, children's television and advertising. Score Draw Music's current slate includes... Read More →
avatar for Lynne Lummel

Lynne Lummel

Sr VPof Distribution & RepertoryASCAPLynne Lummel, ASCAP Senior Vice President of Distribution and Repertory, oversees the distribution of hundreds of millions of dollars in royalty payments each year to ASCAP’s songwriter, composer and publisher members for the public performance... Read More →

Wednesday March 13, 2013 2:00pm - 3:00pm
Austin Convention Center, Room 15 500 E Cesar Chavez St

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